Sophisticated features made
Possible with digital technologies
Six-axis + Two-axis Color Corrector
Includes a color correction function that enables hue and saturation
to be adjusted for each the six primary colors (R, G, B, Cy, Y, Mg),
plus another function to make color correction of two user-selected
colors of the subject.
Enhanced Digital DTL
Improved sensuous expressions such as texture and sheen, and
richer reproduction of details in skin tone in dark backgrounds.
Super KNEE
The Knee system makes corrections without changing the hue of the
highlighted parts and produces a more natural highlight appearance,
rather than washing it out.
Clear VF DTL function
This function makes a difference in the edging of the image
exclusively in the viewfinder, to make the precise point of focus
easier to find, and to make it easier for the cameraperson to focus.
Wide-band DTL function
Wide-band edging gives the impression that fine parts of subjects or
high frequency images have a higher resolution.
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Easy to Use, attention to the details
Perfect Match Between Studio and Portable Cameras
The portable and studio cameras use the same CCD, same analog
and digital video processing, same optical filters, and in most cases,
the same PC boards, providing an unparalleled similarly in
performance and function between the two camera types.
HD SDI Output from the Camera Head
HD SDI output is provided from the camera head, and by using VTR
connector (option), direct connection is possible with HD digital
equipment, such as
an HD VTR.
RET Video and Teleprompter Video
The CCU-790 accepts two channels of return video input as
standard. It is available with up to 4ch as a factory option, Input
signals can be selected from HD-SDI, D1 component and D2
composite signals. The CCU includes an up converter permitting an
SDTV return video signal (D1 & D2) to be viewed on the HD
viewfinder. The CCU transmits the HD return video signal (each Y,
Pb, Pr) and two NTSC Q-TV video signals (Q-TV1*, Q-TV2*) to the
camera for teleprompter and external monitoring purposes.
*For the HDK-79E, either Q-TV1 or Q-TV2 can be selected for output.
High Performance Viewfinders
For the HDK-79E, a 2-inch 16:9 high resolution VF for portable
application and a 5-inch B/W VF (option) for studio application are
available. Employing a magnifying
eye-piece in the 2-inch VF, visibility is
further improved. For the HDK-790E, 7" B/W VF and 7" color VF (option)
are available.
7-inch VF attaches to the camera with a mechanism allowing easy
panning and tilting for VF. Cable connection between the camera and
the 7-inch VF is integrated into the pan and tilt mechanism and fully
protected against possible damage
.,
In addition, a 6-inch color LCD viewfinder is also available as an option
for both studio and portable camera models.
Low Center of Gravity
Both the studio and portable cameras are compact with low center-of -
gravity. Especially for the portable camera there is excellent balance
when operated on the shoulder. Regarding the 7-inch viewfinder for
HDK-790E, the position is lower and closer to the optical axis of the
camera head.
Return Switch
A Return select switch is located on the handle grip of the portable
camera to control the selection when the camera is held off the
shoulder, such as on the hip for low angle shots.
On-Line Diagnostics
An On-line Diagnostic System monitors a range of circuits including
video, control, fiber optic transmission, pulse and power supply.
Application of Standard 2/3-inch Lenses
The camera incorporates the HDTV lens mount (BTA S-1005B type) as
standard. But the Ikegami 2/3-inch lens mount can be specified as a
factory order option to use lenses from conventional NTSC Ikegami HK-
series cameras such as HK-388/377/366/355, etc.
Rotating Camera Cable Connection
The SMPTE standard fiber camera cable connector is provided with a
pivoting mount on both the portable and studio camera heads. This
permits a natural bend to the cable, even for example, when the portable
camera is placed on the ground.
Strong Hand Grips
HDK-790E has its side handle directly attached to the camera
head, which ensures the solid structure of the handle. It also has
a loop to attach a rope, by which the camera head can be hoisted.
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